Discover landmarks, parks and interesting places of the city
Before you stands the building of the old General Staff, also known as the “Stone Palace” or “Baumgarten Palace.” It was built between 1924 and 1928 according to the design of the émigré architect Vasily Wilhelm Fyodorovich Baumgarten.
A historic administrative complex and a symbol of Belgrade’s architectural and political development.
A striking example of interwar academicism and an architectural landmark of Belgrade.
A monumental building with a corner composition, a dome, and sculptures, embodying the idea of the state and the experience of trials endured.
The Church of the Archangel Gabriel, built in 1939, harmoniously combines national traditions, Byzantine forms, and modern architectural ideas.
The Small Church of Saint Sava combines cubic forms, Byzantine motifs, and the restrained monumentality of its façade.
The Iveron Chapel is a white-and-blue monument to a lost homeland, built as a symbol of conciliarity, memory, and continuity.
Ružica Church on Kalemegdan is a living monument of history, linking the layers of past years with contemporary Serbian memory. The unique texture of untreated stone, the bronze warriors, and the chandeliers made of weapons create an atmosphere of deep national memory and hope.
The church, built in the style of the Morava school, embodies a Russian-Serbian spiritual dialogue, bringing together memory, history, and art. The memorial altar and monument inside symbolize the interconnected destinies of Russia and Serbia, transforming the church into a living monument of shared memory.
This church carefully brings together family memory, émigré craftsmanship, and Belgrade’s architectural tradition. Its architecture combines a cruciform plan, an expressive apse, a wooden iconostasis, and unique icons.
An outstanding spiritual centre of the Russian emigration: a five-domed church inspired by Serbian-Byzantine architecture, with a harmonious stepped composition, restrained decoration, and a solemn western portal.
An iconic building of Belgrade, a symbol of Yugoslav statehood, built in the style of the Italian Renaissance.
An example of academicism in which architecture preserves historical memory and state identity with restraint and reliability.
A monumental academicist building of the 1930s, which became a symbol of scale, urban identity, and Belgrade’s modern transformations.
The building of the Serbian Patriarchate, constructed between 1933 and 1935 according to the design of Viktor Lukomsky, combines Serbian-Byzantine traditions with the architect’s own modernist vision, serving as a spiritual, cultural, and architectural centre of Belgrade.
Branko’s Bridge is an iconic crossing over the Sava, a symbol of the unity of Belgrade and Zemun, combining Romano-Byzantine architectural motifs with a rich historical meaning.
The Serbian Academy of Sciences and Arts on Knez Mihailova Street is a harmonious combination of academic rigour and creative Art Nouveau, remaining a cultural and intellectual anchor in the heart of Belgrade.
A symbol of the Enlightenment tradition and of a social contract with the future, bringing together academic architecture, the unique acoustics of its concert hall, and an active urban cultural life.
A rigorous modernist complex, reminiscent of an open book, serving as a space for the formation of Serbia’s political and intellectual elite.
The King Alexander I Student Residence, built according to the design of Georgy Kovalevsky, embodies the state’s concern for the future, with its monumental architecture and its status as an important educational institution in Belgrade.
A monumental complex with inner courtyards and expressive sculptural articulation, embodying the idea of engineering knowledge as a “temple of progress” and symbolizing the contribution of Russian specialists to the modernization of Belgrade.
The building embodies the drama of construction interrupted by time — from its pre-war conception to its post-war completion — and marks the contribution of one of the first Serbian women architects, Jovanka Bončić-Katerinić.